To observe Canon Australia's new Christmas giveaway, five skilled Canon picture takers have shared their most loved travel areas and their top travel photograph tips with us. 

Jordan Hammond - Shoot at dusk 

Area: Peru 

Shoot areas like this, the Haucachina Desert, around dusk, while the ridges cast unfavorable shadows. I prescribe taking a full casing camera and both wide point and zooming focal points to Peru, as the wide-edge focal point will empower you to catch the monstrosity of sights, for example, Machu Picchu and Huacachina, while the zooming focal point will enable you to pack and overstate the epic scenes found in the Peruvian Andes. 

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Creek Rushton - Have go-to settings prepared 

Area: Morocco 

I have a couple go-to settings for this movement work. For straight scene pictures, I shoot at 50 ISO, f11 to f16 and wherever the Shutter Speed falls. In the event that I need to shoot long exposures, I prescribe a particular 6-stop or 10-stop ND channels and graduated ND channels to help control introduction. For the more road style, for example, this picture, I endeavor to work to the most reduced base ISO I can however is agreeable about pushing this higher in the event that it implies getting the shot. A decent spot to begin is 320 ISO, f5.6 to f8 and a screen speed of around a 1/400th of second. Obviously, this is totally needy upon light and conditions 

Neil Bloem - When shooting the Aurora, pick a quick focal point 

Area: Iceland 

A wide edge focal point with a high gap will have the universe of effect when shooting the Northern Lights. In the event that the entire sky is secured with auroras, at that point you need to catch however much of the sky and scene as could be expected in the edge, beneath 20mm would be perfect. The higher the gap like f/1.8 or f/2.8, the more extensive opening of your gap will be, giving all the more light access however before taking photographs of the excellence in the sky, you will initially require a tripod, a basic instrument for evening time photography. Two fast rules for shooting the Northern Lights beneath: 

Black out Northern Lights (just a tad in the sky): ISO - 1600 

Gap - f/2.8 (or as high as conceivable with your camera) Shutter Speed - 20/25 seconds 

Solid/Dancing Northern Lights:ISO - 1600 

Opening - f/2.8 (or as high as conceivable with your camera) Shutter Speed - 3/5 seconds 

Melissa Findley - Look at the subtleties 

Area: India 

Benefit as much as possible from investigating India, get inquisitive behind the focal point as it is a position of lively blast of hues and custom, a desert garden of culture and legacy, that will keep you salivating for additional. Pay special mind to the excellence in the best subtleties of the complicated mosaic roofs, the beautiful frescoes and all their perplexing structures. Lovely subtleties anticipate you around each corner, between the glorious royal residences and swarmed bazaars. I suggest taking lightweight apparatus. 

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Benjamin Lee - how to get the ideal Shibuya, Japan shot 

Area: Japan 

It is somewhat peculiar to be in wonder of a road crossing. All things considered, I'd very suggest seeing Shibuya face to face - particularly if it's your first time. Seeing a large number of individuals flood over a little fix of street at regular intervals is exceptional to Tokyo. You can visit Shibuya at most occasions of the day and it will be very occupied - however in the event that you need to see it in the entirety of its wonder I'd prescribe going amid pinnacle hour 4-5PM and around evening time when all the city lights are lit up 

To catch the intersection, get road level and on the genuine intersection itself. Endeavor to get to the front of the kerb so you can see the contrary road and every one of the walkers flood towards you. On the off chance that you need a higher and more extensive vantage point to catch the entire intersection, attempt shoot it from the Shibuya train station windows that neglect it. There is additionally another perception deck that simply opened (it's free). At these two spots I'd suggest utilizing a wide focal point (anything more extensive than a 35mm) to catch the entire intersection and after that changing to a zooming focal point to concentrate in on the subtleties and subjects.

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